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SRUJANANUBHUTI Solo Show Of Paintings By Renowned Artist Jitendra Ramesh Divte In Jehangir

SRUJANANUBHUTI Solo Show Of Paintings By Renowned Artist Jitendra Ramesh Divte In Jehangir

From: 19th to 25th February 2024

“Srujananubhuti”

Solo show of Paintings by Renowned artist Jitendra Ramesh Divte

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: + 91 9869717246, 9653349164 

DIVINE ENDEAVOURS

Recent work of a contemporary artist, Jitendra R.Divte in Acrylic colours on canvas has been displayed in a solo art show in Jehangir Art Gallery, M.G. Road, Kala Ghoda, Mumbai 400 001 from 19th to 25th February, 2024 between 11 am to 7 pm. It will be open for free public viewing there during the gallery timings and showcase his artistic perceptions about the various temples, religious shrines, vivid places of worship, the buildings of historical and social heritage and relevance etc. in his style via apt colour combinations to suit their thematic relevance in different perspectives of visual fine arts. 

This show was inaugurated on 19th February 2024 by Honorable Guests – Anil Naik Eminent artist, Saikat Bakshi Author, Sanara Roy Miss India World 2022 Supermodel Actress. 

Jitendra R. Divte had his art education in fine arts at L.S. Raheja School of Arts, Mumbai, where he stood 7th in order of merit in Maharashtra in 1998. Then he displayed his work on various themes in Army & Navy Building, Kala Ghoda Association, Mumbai, show in 2005 followed by solo art show at Sahil Art Gallery, Mumbai in 2008. He also participated in some group art exhibitions at Nehru Centre, Worli, Mumbai, Army & Navy Building, Kala Ghoda Association, Mumbai Art Show, Hirji Jehangir Art Gallery, Bombay Art Society Annual Art Show, Vismay Metro Art Gallery, Bangalore, Mumbai, Chitrakala Parishath, Bangalore etc. He also participated in some International Water Colours art exhibitions in Bangladesh and Russia. He was awarded for his work in water colours in 2017 by IWS INDIA, in 2018 by IWS Bangladesh and in 2021 by IWS Russia. His work was appreciated by the art fraternity in these shows and he received good public response for these presentations. 

The present series in Acrylic Colours on canvas throws light on his artistic impressions and aesthetic perceptions about various historical buildings, their architectural details & the culture & heritage associated with them at various places. He has focussed on presenting the various relevant details at these places in his expressive style using apt colour combinations and their harmony.  He has also highlighted the relevance and sanctity of various temples, religious shrines and places of worship, the heritage and cultural traditions there and their significant peculiarities. He has made artistic use of morning light, afternoon light, evening light alongwith shades, shadows, reflections and illumination effects at the desired locations in the work. He has made use of warm and cool colours and achieved their balance for aesthetic and artistic decoration of his work in the relevant perspectives. He has also used various geometrical forms and achieved their rhythmic unison in the work at the strategic arenas in order to get the desired visual perspectives in his work. These works made in an aesthetic and artistic style using acrylic colours on canvas certainly share a dialogue with the viewers leading to their warm response and appreciation.

 

SRUJANANUBHUTI Solo Show Of Paintings By Renowned Artist Jitendra Ramesh Divte In Jehangir

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Windows Of Inner Expressions Art Exhibition By Contemporary Artist Maitrry P Shah In Jehangir

Windows Of Inner Expressions Art Exhibition By Contemporary Artist Maitrry P Shah In Jehangir

From: 19th to 25th February 2024

“Windows of Inner Expressions”

Art Exhibition by contemporary artist Maitrry P Shah

VENUE:

Jehangir Art Gallery

Hirji Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 8511242653, +91 9825442287

www.maitrryshahart.com

Internationally Acclaimed Artist Maitrry Shah Showcases “Windows of Inner Expressions” at Jehangir Art Gallery from February 19 to 25, 2024, art enthusiasts will have the opportunity to immerse themselves in Shah’s mesmerizing collection, “Windows of Inner Expression.”

This show was inaugurated on 19th February 2024 by Chief Guest Ganpat Kothari(Business Man, Founder Kothari Fabrics) in the presence of Honorable Guests Ajoykant Ruia Chairman Allstate Group, Saikat Bakshi Author, Zen Vertan Eminent Artist, Chhaya Sakhare Classical and Play back Singer, Music Director, Arvind Arya Founder President – Jharkhandvasi Parivatan Sangh Mumbai, Anil Jain Secretary – Shree Mumbadevi Dagina Bazaar Association, Mahendra Kalantri Solicitor Consultant, Uttam Jain Member of film Centre Board, Manmohan Jaiswal Art Curator, Sanara Roy Miss India World 2022 Supermodel Actress, Ravi Jain Bollywood Music Director & Playback Singer, Zen Vertan Eminent Artist, Sanjay Patil – ACP, Poonam Saini Artist  & Senior Fashion Designer, Farida Siddiqui Actress & Producer, Mridula Sharma Homemaker  & Social worker, Rehan Khandwani Sampark Pramukh, Byculla Vidhansabha, Shivsena, Dharmesh Thakkar Editor of The Free Press Journal and Navshakti Newspaper, Neeta Bhanushali Actress, Adv Pankaj BafnaRupali Pawar Actress, Neeta Tripathi National Chairperson – Aasra Foundation, Manoj Gupta, Tushar Jha Actor, Mahavir Vinod Rana Three Times World Gold Medalist, Dr Rajendra Agarwal among others. 

Having dedicated two decades to the world of art, Maitrry Shah’s journey began with a childhood passion that propelled her onto the global stage. At the tender age of twelve, she captured hearts and accolades alike at the Kanagawa Biennale in Japan, earning the prestigious silver medal. Since then, her artistic endeavors have taken her to prestigious competitions such as Shankar’s Art Competition and the Global Peace and Environment Award in Tokyo, Japan, where she continues to garner recognition for her contributions to the field.

She has been selected for inclusion in the “40 under 40” list of influential individuals in the field of arts. The Top 100 Women in India award for outstanding work in the arts was conferred upon her in 2023. Maitrry received the “Pillars of Maharashtra” award from actress Sudha Chandran. 

Maitrry’s paintings are renowned for their ability to engage viewers in profound dialogue. Through a masterful fusion of mediums including oil, charcoal, and acrylic on canvas, she creates evocative compositions that resonate deeply with human emotions. With “womanhood” as a central theme, Maitrry’s artwork portrays the multifaceted experiences of women with vibrant brushstrokes that capture both the exuberance and complexity of human sentiment. 

“Windows of Inner Expression” promises to offer patrons an insightful journey into the intricacies of the human psyche. Each artwork serves as a portal, inviting viewers to explore the spectrum of human emotions, thoughts, and experiences. Admission to the exhibition is free, welcoming visitors from 11:00 am to 7:00 pm daily.

For art lovers seeking a transformative experience, Maitrry Shah’s exhibition promises to be a soul-stirring exploration of the human condition through the lens of artistic expression.

     

Windows Of Inner Expressions Art Exhibition By Contemporary Artist Maitrry P Shah In Jehangir

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MEDITATION Art An Instrument Solo Show Of Paintings By Renowned Artist Sanjay Sable In Jehangir

MEDITATION Art An Instrument Solo Show Of Paintings By Renowned Artist Sanjay Sable In Jehangir

From: 23rd to 29th January 2024

“MEDITATION” Art An Instrument

Solo Show of Paintings

By Renowned artist Sanjay Sable

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 9860419393

www.sanjaysable.com

Meditation – Art An Instrument

Recent work of a versatile renowned contemporary artist, Sanjay Sable in Acrylic colours on canvas has been displayed in a solo art exhibition in Jehangir Art Gallery, AC – 2, M.G. Road, Kala Ghoda, Mumbai 400 001 from 23 to 29 January 2024. This exhibition will reveal the outcome of the painstaking efforts taken by the artist to incorporate subtle nuances of Meditation – as an instrument in his creative endeavours in order to enlighten the viewers with newer perspectives of the thematic peculiarities in the relevant arenas of visual fine arts. This is his 5th solo art exhibition in Jehangir Art Gallery.

This show was inaugurated on 23rd January 2024 by Chief Guest Mr. Vishwanath Sabale Dean of Sir J.J. School of Art in the presence of Mr. Chandrashekhar Sudhakar Deshmukh Sectional Engineer, High Court Section, P.W.D. Mumbai. Guest of Honour  Mumbai, Mrs. Hina Bhatt Founder/Director: Hina Bhatt Art Ventires / Hina Bhatt Art Foundation, Nitin Jadia Art Collector among others. 

Sanjay Sable hails from Osmanabad (now called Dharashiva).  He had his art education at ChitrakalaMahavidyalayaLatur, Abhinava Kala Mahavidyalay. Pune and Sir J.J. School of Arts, Mumbai. He has been a faculty member at ChitrakalaMahavidyalay, Nashik since 2003. He has showcased his earlier thematic works in various art galleries at Mumbai, Pune, New Delhi, Alibaug, Chandigarh, Nashik, Kolkata, Aurangabad etc., and received overwhelming public response and appreciations for his work.  He is a proud recipient of several prizes, awards and appreciations from prestigious art promotional institutions at Pune, Mumbai, Nagpur, Dhule, Amritsar, Ratnagiri etc.  His works are in proud collection of many renowned art collectors in India and abroad.  An active participant in several art camps, workshops organised by reputed art promotional institutions all over the country, he has also showcased his thematic work in some International art exhibitions at Dubai, Bangladesh, Washington – USA etc., and earned warm public appreciations from the art fraternity for his thematic work.  He has presented 54 works in this exhibition for public viewing and the largest sizes of artworks in this show are of 15ft x 4.5 ft and 12ft x 6ft.

The present series in Acrylic colours on canvas illustrate s his transformative thematic perceptions on Meditation – Art An Instrument in the unique expressive style and techniques. He has assimilated various transformations in his style and techniques during the experimentations at different stages and ultimately incorporated their transformed versions in his work in order to render perfection in visual perspectives and various forms of ingredients to accommodate the desired visual effects in them. As a result, his works in these norms and perspectives do represent his newer aesthetic prerogative and    conceptualization alongwith the technical excellence achieved in artistically and aesthetically adorning the works with desired visual parameters in the apt perspectives of fine art.  His paintings reveal an outcome of the total human involvement in his work with free and relaxed mind that is totally unbiased and unprejudised. The fruit of meditation of an artist in achieving unbiased results and outcomes from his endeavours bear true testimony to his sincerity, total dedication to work and an inherent urge to adorn the outcomes with the desired perspectives of divine effects of sublimity, rhythm and ecstasy in the apt arenas of visual fine arts.  With these instruments of meditation along with an experience of about 2 decades in rendering his yeomen services propagation of visual fine arts, Sanjay Sable has created and presented this unique series of artwork that truly illustrates his complete command over the medium and techniques used as well as his positive and optimistic as well as rational approach to incorporate numerous supportive ingredients on a divine and spiritual plane in the work so as to enhance its visual glory and picturesqueness in the desired perspectives. 

All works in this series in abstract forms reveal his sound and firm mindset and an eagerness to enlighten all with the newer perspectives of his transformative forms of art work which have the peculiar effect of divine sublimity, eternity and rhythmic ecstasy in them at strategic arenas. 

 

MEDITATION Art An Instrument Solo Show Of Paintings By Renowned Artist Sanjay Sable In Jehangir

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Legendary photojournalist Mukesh Parpiani showing his photo exhibition THE LEGACY in Jehangir

Legendary photojournalist Mukesh Parpiani showing his photo exhibition THE LEGACY in Jehangir

From: 17th to 30th January 2024

“The Legacy” An Exhibition of Photographs by veteran photojournalist Mukesh Parpiani 

VENUE:

Jehangir Art Gallery,

Terrace Gallery,

Kala Ghoda, Mumbai 400 001.

Timing: 11am to 7pm

Contact: +91 8108003311

Legendary photojournalist Mukesh Parpiani’s need to chronicle the unusual began at a very young age when he first began to help his brother. His elder brother who was fascinated by photography, had a darkroom at home, and Mukesh used to wash his prints. Gradually, he began to work towards achieving this dream. He enrolled at the Pillai School of Photography (1969-1970), after which, he worked in wedding and travel photography. During this brief stint, he realised that his city has so many intermingled narratives to offer, whose ever-evolving nature is simply waiting to be chronicled.

In 1981, Russi Karanjia, the Editor of The Daily, a morning newspaper in Bombay, offered him a job as their photographer.At The Daily, Parpiani photographed many political leaders and celebrities. Due to this, he became a familiar name in the journalism fraternity. Viveck Goenka, the Chairman and Managing Director of The Indian Express, who had been following Parpiani’s work and career, saw potential in his vision. Eventually, he decided to recruit Parpiani as the photo editor of The Indian Express’ seventeen editions. During his time there, he covered historical events of significance nationally and internationally.Mid-Day, an afternoon tabloid, who noticed Parpiani’s work as a photojournalist and editor, decided to offer him a job as the photo editor. It was the beginning of many things – the turn of the century as well as the tectonic shift of photographic technologies. Tariq Ansari, the Managing Director of the newspaper, gave Parpiani the liberty to develop the department as he needed. Parpiani, upon recognising the dawn of DSLRs, requested Ansari to acquire them for the photo department. Under his tutelage, many young individuals became renowned documentary photographers and photojournalists.

Parpiani curated his first photo exhibition in March 1989 at Piramal Art Gallery of NCPA. His penchant for curating photography exhibition gave him the opportunity to continue even after his retirement at the age of 58.

In 2009, Khushroo Suntook, Chairman of the National Centre for the Performing Arts (NCPA), offered him to head the Piramal Art Gallery. Suntook had been familiar with Parpiani’s work and entrusted him with the running of the gallery. For 14 years, Parpiani has single-handedly nurtured and educated the next generation of photographers. He has organised over 250 talks, workshops, exhibitions, and seminars to disseminate photography.

Parpiani has touched countless lives with his photographs while reforming countless more as a mentor. His strengths and humanity lie in his ability to mould the way we perceive Bombay, while his sensitivity and perceptiveness conquer the hearts of those fortunate individuals who have, knowingly or coincidentally, crossed paths with him.

   

THE LEGACY An Exhibition of Photographs by veteran photojournalist Mukesh Parpiani in Jehangir

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Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

From: 9th to 15th January 2024

Retrospective Show of veteran artist Late Yashwant Shirwadkar

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road,

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 9820144640, +91 9920144640

www.shirwadkar.com

Retrospective Show – 101th Solo Art Exhibition

When we first look at Yashwant Shriwadkar’s painting, we are drawn to a vibrant, expansive canvas, that capture the fleeting light and ever-changing atmosphere in nature. The tactile strokes play with the viewer’s senses, delivering an effect of spontaneity and effortlessness while masking carefully constructed compositions. Each time you look at his canvas, a new feature appears, as if purposefully hidden by the artist under the masterfully blended colors. Deep yellow flashed in the night, pastel blue fading into midday, and pink melting in the morning sky. 

Shirwadkar perceived our world quite differently. For him, the seemingly mundane sights became compelling experiences,as a cascading waterfall or a majestic mountain peak. He simply painted the things he saw and felt, surrendering to the experiences and situations of the moment. He had no interest in depicting history, mythology, or the lives of great individuals. Instead, he attempted to capture how a landscape or an object appeared to him at a particular instant. Varanasi held a special fascination for him, leading to more than 18 visits to the mystical city. The gentle waters of the Ganges, the boat rides, the morning worship at the Ghats, as well as the majestic architecture has been aptly arrested by the artist. His artistic journey also encompassed landscapes from Kerala, Rajasthan, Kashmir, and Goa, along with large commission canvases like Hyde Park and the Gateway of India. 

Shirwadkar’s approach of using a palette knife and building up layers in oil-on-canvas aligns with the textural and vibrant qualities often associated with impressionistic art. It’s a technique that can evoke a sense of movement and atmosphere in landscape paintings. Each layer was painted on top of the previous without waiting for the earlier layer to dry completely. Rather than worrying about the technical accuracy of the painting, he went with the flow of his mood and created a sense of movement in the work. Seeing him work on the colors with palette knife is a sight to behold, almost beyond words to describe. The colors seemed to merge one into another, slowly shifting: yellow to orange and then red, and at times blue slowly turned into green and vice versa. 

Color and light played a profound role in Shriwadkar’s painting process. Before painting on the canvas, he made several sketches on site, in the open, using sunlight as the only source of light. By using low chroma variations and rendering shadows in color, the artist skillfully captured the fleeting nuances of natural light.He also tried to emphasize the passage of time in his works. The paint was left unmixed, producing a contrast between strokes that didn’t blend completely on the canvas but appeared so to the eye. The deliberate choice to forgo intricate details in favor of bold paint strokes added to the overall impact of portraying the essence of the subject. 

Shirwadkar’s oil-on-canvases garnered widespread acclaim, resonating not just with Indian audiences but captivating hearts globally. He received invitations to prestigious international platforms, such as sponsored exhibitions and notable events like the 42nd Anniversary Leadership Summit in Washington in 2017, showcasing the artist’s recognition on a global scale. His path in visual art, however faced several obstacles, stemming from initial resistance within his family against pursuing a career in the fine arts. Undeterred by opposition, his passion for painting prevailed, leading him to stand firm on his decision despite strong familial objections. Eventually, Shirwadkarwent on to study at the renowned Sir J. J. School of Arts in Mumbai, marking a crucial step in his artistic journey. 

Creating art was a form of Sadhana—a daily practice, for the artist. He painted regularly, shaping a distinctive style that involved the use of a palette knife and occasionally unconventional mediums such as a shaving blade. Even after achievingmastery over his technique, he continued to paint with awareness, discipline and intention of growth. Like a spiritual practitioner (sadhaka) heworked to achieve control over ego, connect deeper, and realign with his’s inner self. 

Spanning over 45 years, Shirwadkar’s prolific artistic career was marked by an impressive legacy of around 100 solo exhibitions and over 260 group shows both in India and internationally. Through this extensive body of work, he not only established a prosperous art career but also earned a prominent reputation in the art world before his passing in 2020.The enduring allure of his works, continue to generate curiosity and awe in the younger generations of artists as well as viewers. 

It is interesting to note that in his inaugural solo exhibition in 1977, Shirwadkar showcased watercolorseascapes. Employing a technique of blending watercolors to achieve a bleed and bloom effect, he crafted misty seascapes with soft, faded edges. Carefully playing with light contrast, he diluted and highlighted specific areas while leaving others dry, inviting light into the artwork. This technique skillfully evoked a vaporous atmosphere, adding a unique dimension to his early watercolors. 

Shirwadkar’s approach to painting landscapes went beyond mere depictions of sites or anonymous figures. His focus delved into capturing the enveloping warmth and color of sunlight, not merely the physical surroundings. His art aimed to encapsulate the transformative impact of sunlight on specific moments, highlighting the soul of the scene and its evolution through time and atmospheric changes.

Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

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Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

From: 9th to 15th January 2024

Retrospective Show of veteran artist Late Yashwant Shirwadkar

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road,

Kala Ghoda, Mumbai 400 001

Timing: 11am to 7pm

Contact: +91 9820144640, +91 9920144640

www.shirwadkar.com

Retrospective Show – 101th Solo Art Exhibition

When we first look at Yashwant Shriwadkar’s painting, we are drawn to a vibrant, expansive canvas, that capture the fleeting light and ever-changing atmosphere in nature. The tactile strokes play with the viewer’s senses, delivering an effect of spontaneity and effortlessness while masking carefully constructed compositions. Each time you look at his canvas, a new feature appears, as if purposefully hidden by the artist under the masterfully blended colors. Deep yellow flashed in the night, pastel blue fading into midday, and pink melting in the morning sky. 

Shirwadkar perceived our world quite differently. For him, the seemingly mundane sights became compelling experiences,as a cascading waterfall or a majestic mountain peak. He simply painted the things he saw and felt, surrendering to the experiences and situations of the moment. He had no interest in depicting history, mythology, or the lives of great individuals. Instead, he attempted to capture how a landscape or an object appeared to him at a particular instant. Varanasi held a special fascination for him, leading to more than 18 visits to the mystical city. The gentle waters of the Ganges, the boat rides, the morning worship at the Ghats, as well as the majestic architecture has been aptly arrested by the artist. His artistic journey also encompassed landscapes from Kerala, Rajasthan, Kashmir, and Goa, along with large commission canvases like Hyde Park and the Gateway of India. 

Shirwadkar’s approach of using a palette knife and building up layers in oil-on-canvas aligns with the textural and vibrant qualities often associated with impressionistic art. It’s a technique that can evoke a sense of movement and atmosphere in landscape paintings. Each layer was painted on top of the previous without waiting for the earlier layer to dry completely. Rather than worrying about the technical accuracy of the painting, he went with the flow of his mood and created a sense of movement in the work. Seeing him work on the colors with palette knife is a sight to behold, almost beyond words to describe. The colors seemed to merge one into another, slowly shifting: yellow to orange and then red, and at times blue slowly turned into green and vice versa. 

Color and light played a profound role in Shriwadkar’s painting process. Before painting on the canvas, he made several sketches on site, in the open, using sunlight as the only source of light. By using low chroma variations and rendering shadows in color, the artist skillfully captured the fleeting nuances of natural light.He also tried to emphasize the passage of time in his works. The paint was left unmixed, producing a contrast between strokes that didn’t blend completely on the canvas but appeared so to the eye. The deliberate choice to forgo intricate details in favor of bold paint strokes added to the overall impact of portraying the essence of the subject. 

Shirwadkar’s oil-on-canvases garnered widespread acclaim, resonating not just with Indian audiences but captivating hearts globally. He received invitations to prestigious international platforms, such as sponsored exhibitions and notable events like the 42nd Anniversary Leadership Summit in Washington in 2017, showcasing the artist’s recognition on a global scale. His path in visual art, however faced several obstacles, stemming from initial resistance within his family against pursuing a career in the fine arts. Undeterred by opposition, his passion for painting prevailed, leading him to stand firm on his decision despite strong familial objections. Eventually, Shirwadkarwent on to study at the renowned Sir J. J. School of Arts in Mumbai, marking a crucial step in his artistic journey. 

Creating art was a form of Sadhana—a daily practice, for the artist. He painted regularly, shaping a distinctive style that involved the use of a palette knife and occasionally unconventional mediums such as a shaving blade. Even after achievingmastery over his technique, he continued to paint with awareness, discipline and intention of growth. Like a spiritual practitioner (sadhaka) heworked to achieve control over ego, connect deeper, and realign with his’s inner self. 

Spanning over 45 years, Shirwadkar’s prolific artistic career was marked by an impressive legacy of around 100 solo exhibitions and over 260 group shows both in India and internationally. Through this extensive body of work, he not only established a prosperous art career but also earned a prominent reputation in the art world before his passing in 2020.The enduring allure of his works, continue to generate curiosity and awe in the younger generations of artists as well as viewers. 

It is interesting to note that in his inaugural solo exhibition in 1977, Shirwadkar showcased watercolorseascapes. Employing a technique of blending watercolors to achieve a bleed and bloom effect, he crafted misty seascapes with soft, faded edges. Carefully playing with light contrast, he diluted and highlighted specific areas while leaving others dry, inviting light into the artwork. This technique skillfully evoked a vaporous atmosphere, adding a unique dimension to his early watercolors. 

Shirwadkar’s approach to painting landscapes went beyond mere depictions of sites or anonymous figures. His focus delved into capturing the enveloping warmth and color of sunlight, not merely the physical surroundings. His art aimed to encapsulate the transformative impact of sunlight on specific moments, highlighting the soul of the scene and its evolution through time and atmospheric changes.

Unique Retrospective Art Presentation Unveils Late Yashwant Shirwadkar’s Legacy” In Jehangir

Read More
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